3,636 Royalty-Free Audio Tracks for "Musical Intervals On C Sharp"

*Ditone (Pythagorean major third) on C = E+ (Ben Johnston's notation). Just: 81:64 = 407.82 cents. Limit: 3-limit. MIDI pitch bend: 64,66 81st harmonic.

*Pythagorean augmented sixth on C = A♯+++ (Ben Johnston's notation). 59049/32768 = 1019.55 cents. Limit: 3-limit. MIDI pitch bend: 33,70

*Pythagorean augmented third on C = E♯+++ (Ben Johnston's notation). 177147/131072 = 521.51 cents. Limit: 3-limit. MIDI pitch bend: 113,70

*Pythagorean diminished fourth on C = F♭-- (Ben Johnston's notation). 8192:6561 = 384.36 cents. Limit: 3-limit.

*Twenty-first harmonic, harmonic seventh on G on C = F+ (Ben Johnston's notation). 21:16 = 470.78 cents. Limit: 7-limit. MIDI pitch bend: 83,54

9-limit dekany scale.

Dominant form chord: Dominant ninth chord preceding tonic chord and possessing a primary dominant function.

Alpha scale harmonic seventh chord on C. MIDI pitch bend matches intervals.

*Quarter-comma meantone minor third on C. 6:5÷(81:80)1/4 = 310.26 cents.

*28 steps in 72 equal temperament on C. Equal-tempered: 228/72=14/36=7/18:1 = 466.67 cents. MIDI pitch bend: 43,53

*13 steps in 18-et on C = ?. Equal-tempered: 213/18:1 = 866.67 cents. MIDI pitch bend: 42,53

*17 steps in 18-et on C = ??. Equal-tempered: 217/18:1 = 1133.33 cents. MIDI pitch bend: 85,74

*11 steps in 18-et on C = ??. Equal-tempered: 211/18:1 = 733.33 cents. MIDI pitch bend: 85,74

Example of syllabic and melismatic text setting. MIDI doesn't convey the quality of syllables flowing. Source: "Jesus Christ is Ris'n Today" (Methodist Hymn Book, 1933, No. 204). Created by Hyacinth (talk) 01:28, 18 July 2012 (UTC) using Sibelius 5.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

*Eleventh harmonic on C = F↑ (Ben Johnston's notation). 11:8 = 551.32 cents. Limit: 11-limit. MIDI pitch bend: 54,80

*Seventy-seventh harmonic on C = E↑♭ (Ben Johnston's notation). Just: 77/64 = 320.14 cents. Limit: 11-limit. MIDI pitch bend: 57,70

*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.

Just major seventh chord on C (8:10:12:15).

*12 steps in 15 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 212/15=8/10=4/5:1 = 960 cents. MIDI pitch bend: 26,83 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~154,50 on Bb

*10 steps in 17 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 210/17:1 = 705.88 cents. MIDI pitch bend: 113,65

*2 step in 17 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 22/17:1 = 141.18 cents. MIDI pitch bend: 23,77

Just augmented sixth on C. 225:128 = 976.54 cents.

Example of flats in music on piano. An A, then A♭.  This image was created with Audacity.

Ditonic scale on G.

Tetratonic scale on A.

Tritonic scale on E.

*Just augmented sixth on C = A♯. 125:72 = 955.03 cents. Limit: 5-limit. MIDI pitch bend: 78,49

*Just augmented seventh (125th harmonic) on C = B♯+++. 125:64 = 1158.94 cents. Limit: 5-limit. MIDI pitch bend: 110,50

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

Goodnight, Ladies in Pythagorean tuning. MIDI pitch bend matches intervals.

Harmonic Chord 3:5:7:9. Traditional notation: G E B♭ D. Title refers to harmonics (fundamental=1:3:9:etc.).

Sacher hexachord: E♭ (Es) A C B (H) E D (Re). Created by Hyacinth (talk) 00:13, 1 December 2010 in Sibelius 5.

Young temperament major chord on C. Created by Hyacinth (talk) 17:25, 15 December 2009 using Sibelius 5

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

Misheberak scale on D. Created by Hyacinth (talk) 07:50, 18 April 2011 (UTC) using Sibelius 5. See: :Image:Misheberak scale on D.png

*14 steps in 31 equal temperament on C. Equal-tempered: 214/31:1 = 541.94 cents. MIDI pitch bend: 54,77

Tritone substitution (for V) notated as Italian sixth.

B natural minor scale ascending and descending.

B melodic minor scale ascending and descending.

E natural minor scale ascending and descending.

E harmonic minor scale ascending and descending.

E melodic minor scale ascending and descending.

B harmonic minor scale ascending and descending.

D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.

Example of modulation to the dominant from vocal music (1836).

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

Ritsu scale on E.

Ryo scale on D.

a minor, melodic scale, ascending.